Theatre: 1st Broadway National Tour, 1776; Lady Day at Emerson’s Bar & Grill (Ovation Award) National Black Theatre Festival, freeFall, Ebony Rep, ICT, PCPA; A Few Good Men (La Mirada); Blues in the Night (ICT/ Ebony Rep/NC Rep); Stupid F’ing Bird, A Little Night Music (Cygnet, SD Theatre Critics Nomination); Porgy and Bess, Sweeney Todd, Intimate Apparel (Ensemble Theatre Company); Mamma Mia! (Vegas Premiere); Caroline or Change, Fences, (PCPA); Next to Normal (Cal Rep-OC Weekly Award); Wedding Band (Antaeus-Stage Raw Nomination); Parade, Jelly’s Last Jam (Mark Taper/Alliance-Suzi Bass Award); Minamata, The Illusion, The Crucible, 10 November (L.A.T.C.); Good Body, Merchant of Venice, King Lear, Crowns, Cabaret, Whole World is Watching (S.D. Rep). Member L.A. Women’s Shakespeare Company, two seasons at Oregon Shakespeare Festival, and numerous regional theatres. Television: Days of Our Lives, Dahmer, The Conners, Magnum PI, The Resident, Broke, Good Trouble, Rebel, Black Lady Sketch Show, N.C.I.S., Crazy Ex-Girlfriend, I’m Sorry, Brooklyn 9-9, G.L.O.W., How to Get Away with Murder, Young & the Restless, Bold & the Beautiful, Stitchers. Film: The American, Something About Mother, The Banality, I’ll Be Next Door for Christmas, Rebirth, Buddy Solitaire, 42. Shorts/Independent: Paper Boy, Light Bunny, For the Record. Member Actor’s Equity, SAG-AFTRA, and The Dramatists Guild. www.karoleforeman.com.